A Comparison Of Classic And New Classic Books

By Essie Osborn


In order to understand the genre of neo-classic literature, it is first necessary to be able to identify classic, or vintage, literature. Vintage and new classic books are generally applied to fiction, which is made-up literature, as opposed to non-fiction, which is factually true literature. Examples of fiction books include "Little Women", "Catcher in the Rye" and the Harry Potter series of seven novels. Non-fiction books include the "Holy Bible, " "Gray's Anatomy" and the "History of Classical Music."

What, then, is vintage literature? It depends on whom you ask. Some people interpret this strictly as writings from ancient Rome and Greece, while others view it more liberally, as vocative of a particular style or time period. All of these works provoke strong emotion in some way. "Wuthering Heights, " "Pride and Prejudice" and "The Adventures of Tom Sawyer." Neo-classical works are more modern. "The Hobbit, " "Lord of the Flies, " and "The Road, " all stand out as new classics.

"Oliver Twist: The Parish Boy's Progress" was British author, Charles Dickens' second novel in 1838. This is an early example of the social novel. In this case, it highlights the horrible conditions and cruel treatment that was experienced by orphaned children in the early to mid-19th century. A social novel, or protest novel, is a work of fiction in which a persistent social problem is dramatized through the novel's characters.

"The Count of Monte Cristo " was written by Alexandre Dumas in 1845. The story takes place in Italy, France and islands in the Mediterranean. It details the wrongful imprisonment of a man who escapes from prison, earns a fortune and devotes himself to wreaking revenge on the people who helped land him in prison. A great read for people who love revenge stories.

"Gulliver's Travels" by Jonathan Swift is a whimsical parody of a literary genre known as "travellers' tales." It is in the first volume, "A Voyage to Lilliput, " that the reader learns of the heated dispute on whether boiled eggs should be eaten pointy side up or wide side up. It was one of Swift's most popular novels.

Jacqueline Susann's "Valley of the Dolls" represented the sex and drugs world to which young women escaped from the manipulative men in their lives. The term "dolls" in this context refers both to the women in the story and to the pills that they took to cope with life. The reference to pills as dolls was coined by the author herself.

"The Great Gatsby, " by F. Scott Fitzgerald, follows an assortment of fictional characters in the summer of 1922. It is widely regarded as a literary masterpiece and a contender for the elusive prize of the Great American Novel. In terms of which sub-genre it would fall into, it is considered a cautionary tale about the American Dream.

"The Road, " by Cormac McCarthy, is a work of post-apocalyptic literature, a genre which deals with the aftermath of the end of civilization. In fact, in "The Road, " the cause of the cataclysm is of no importance. The story instead revolves around the survival of the destruction of human society and, ultimately, all life on Earth.




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